With enforced sobriety, McGlue finds himself reliving the worst parts of his history. He needs a drink more than anything to stop the stream of memory.
This is another historical almost horror novel from the author of Lapvona which so impressed me last year. I'm not sure this one is quite as successful. It didn't have the same visceral impact on me that Lapvona did.
It's still an excellent read and I fully understand how it was shortlisted for the Booker in 2016. Moshfegh is an unusual writer and she very successfully manages to portray all McGlue's internal conflicts through the fractured nature of the writing.
She makes no attempt to sanitise 19th century attitudes for a 21st century audience, so some readers will take offence to some content in this book. However, it would be a much lesser book if she had tried to do so, and the character would have felt much less realised.
It's not her masterpiece- so far I think that's Lapvona- but an excellent character study of a deeply flawed person in a convincing historical context. A strong stomach is required at times, so don't say I didn't warn you.
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