Number 40- BRZRKR vol 2- Keanu Reeves et al

 

More of Keanu Reeves imagining himself as an eternal assassin with more blood lust than the entire Mongol hordes.

The artwork is pretty damned good and suits the megaviolence of the story.

Everything I said about volume one still applies here.  From reading China Mieville's novelisation of this series, I have a good idea where it's headed and I'm looking forward to continuing.

Number 39- A Song for Quiet- Cassandra Khaw

 

This is the follow up to Hammers On Bone which I read last year and greatly enjoyed.

This one is even better. 

Deacon James is a blues musician travelling across America in search of gigs. He also has something inside him that could be very dangerous indeed.  He produces music that can change the world around him and not for the better, music that produces visions of empty and melting faces, gaping mouths and grasping tendrils rising from the pits of some hell dimension.

He's being followed by an apparent madman called Jim Persons- who we the reader will recognise as the narrator of Hammers and Bone.

Will Jim be able to help Deacon and maybe even save the world as we know it?

The way Khaw writes about his music is almost physical.  I could almost hear the discordant melodies Deacon was playing. His visions were equally evocative and nightmarish.

I raced through this book in one day, partly because it's short, but mainly because Khaw's prose grabs you by the throat and rags you at breakneck pace through to the end of the story. This is almost a flawless novella.  I am in the process of gathering all her back catalogue into my collection, and enjoying every minute of it.  I might give Nothing but Blackened Teeth a reread to see if I enjoy it more now I'm more used to Khaw's writing style.

Number 38- Miss Benson's Beetle- Rachel Joyce

 

Talk about a change of pace.  From the dark gritty historical horror of Otessa Moshfegh, to the whimsical ramblings of Rachel Joyce

When my book group suggested this book I was convinced I was going to hate it. The reviews on the back cover using all the phrases that make my stomach churn in entirely the wrong way.  this sounded like the literary equivalent of a diabetic coma.

However, once I started reading it, I found it an object lesson in not judging a book by its cover.

Miss Benson is a teacher in 1950s England.  When she catches her class passing around a distinctly uncomplimentary picture of her, she experiences a moment of clarity about how much she hates her job and her life, and she walks out on it all to try to fulfil a childhood ambition- to find an almost legendary golden beetle in the remotest part of the remote land of New Caledonia on the opposite end of the world. 

She advertises for a companion to come with her on the journey, but due to circumstances, takes the distinctly unpromising Enid Pretty with her.  Enid is everything Marjorie Benson isn't. At first they clash, but as is the way in these things, they find unexpected depths of friendship on their voyage of mutual self discovery.

Normally this is the type of thing to make my eyes roll far enough to see the back of my own skull and dislocate the optic nerve into the bargain. But Joyce's writing is sublime.  She has a lovely turn of phrase and I can only describe this book as delightful.  I've never used that word to describe a book before, but it's easily the best I can think of for this one.

There is a dark(ish) heart to the story.  Miss Benson has sad reasons for being so obsessed with beetles, while Miss Pretty has a dark secret of her own. Also, Miss Benson is being followed by an ex-soldier with PTSD and a dangerous obsession of his own after Marjorie refused his application for the role of her companion. The ending of the book is a genuine emotional rollercoaster.

This is an easy contender for the best book of the year so far.  I never expected that when I picked it up and read the reviews on the back cover. I am now going to have to add her back catalogue to my ever expanding TBR pile.

Number 37- McGlue - Otessa Moshfegh

It's 1851 and McGlue wakes up from an alcoholic bender in the brig of a cargo ship.  He's told he murdered his friend and colleague (and possibly much more) Johnson.  He has no recollection of having done so because of his drinking problem.

With enforced sobriety, McGlue finds himself reliving the worst parts of his history. He needs a drink more than anything to stop the stream of memory.

This is another historical almost horror novel from the author of Lapvona which so impressed me last year. I'm not sure this one is quite as successful.  It didn't have the same visceral impact on me that Lapvona did.

It's still an excellent read and I fully understand how it was shortlisted for the Booker in 2016. Moshfegh is an unusual writer and she very successfully manages to portray all McGlue's internal conflicts through the fractured nature of the writing.

She makes no attempt to sanitise 19th century attitudes for a 21st century audience, so some readers will take offence to some content in this book.  However, it would be a much lesser book if she  had tried to do so, and the character would have felt much less realised.

It's not her masterpiece- so far I think that's Lapvona- but an excellent character study of a deeply flawed person in a convincing historical context. A strong stomach is required at times, so don't say I didn't warn you.

Number 36- Cat Lover- Dan Spencer

No prizes to regular readers of this blog as to why I bought this book. Anything with a cute kitty on the cover :) 

Also it sounded more than a little intriguing. From the blurb, a woman living alone with her cat suddenly brings a man into the house.  The cat is not happy and plans to get rid of the intruder.

From the book itself, the spirit of a dead ex boyfriend sort of possesses the cat but doesn't have complete control.  He does indeed want to get rid of the new man in his woman's life, but, being a cat, can't actually do much about it. 

This is an interesting book. The concept is novel and the prose is just off kilter enough to still be readable and weird at the same time.

There are some odd narrative choices.  The switch to first person in the cat chapters in the third act was jarring and made very little sense till nearly the end.

I'm not 100% sure I liked it.  I kind of did, but it didn't quite deliver on the promise of the plot description.  It took itself entirely seriously whilst I was expecting some type of black comedy. 

I did like the prose. Clarity was not always the strong point though.  Once again in this book I found myself rereading passages, but mainly to try to work out what had just happened this time around. The ending was a bit of an anticlimax. 

Would I read a Dan Spencer novel again if he writes another?  Probably out of morbid curiosity, but it wouldn't be top of the TBR pile.

Number 35- Thornhedge- T Kingfisher

 

I read a Kingfisher novel last year and thought it was fairly good.  Enough to encourage me to read another.  This one has raised the bar considerably. Thanks to this one, she is now in my must read and collect everything she's written list of authors.

This is a dark take on a traditional fairytale. A princess sleeps in a tower and has done for hundreds of years.  When a handsome prince arrives on a quest to find the castle, now hidden behind a huge hedge of thorns as large as swords, will the curse be lifted? Not if Toadling, the changeling spirit guardian of the tower has anything to do with it.

This is of course Sleeping Beauty with a twist.  The princess should not under any circumstance be woken, she's the bad guy this time around and the sleeping curse is there to contain her.

Kingfisher truly excels in this book.  I raced through it in a day.  It's gorgeously well written and there were passages I read multiple times because of the lushness of her language.

Toadling is a fabulous creation, an utterly original character with a bizarre set of abilities which may or may not be able to help her with her assigned task.

I don't think I could have loved this book more. Kingfisher is attending an event at my local Waterstones in the very near future.  I foresee a spending spree after payday for that one.

Number 34 - Sweet tooth the Return- Jeff Lemire

 

Given the ending of the original Sweet Tooth series, I was surprised to discover that there was a sequel.

I really enjoyed this despite the fact that the premise directly contradicts the ending of the original series.

Lemire manages to not just replicate the beats from the original series, and gives us something new and original with the characters.  For that I'll let him off with the fact that the entire situation is impossible inside his own universe that he created.

The artwork is an improvement on the first books and Lemire's writing is every bit as convoluted and unpredictable as I've come to expect.  It might be a cash in on the Sweet Tooth name, but it's a good one.  

Number 33- Fahrenheit 451- Ray Bradbury

 

Quite simply I think this is one of the most important and prescient novels of the 20th Century. This isn't the copy that I read, but it is one of the four editions I own of this book. It's somewhat fragile these days (it is more than 70 years old after all)

It's the not too distant future and ignorance is king. Entertainment is delivered through wall sized interactive tv screens. Independent thought is highly discouraged and reading is banned.

Montag is a fireman. His job is to burn books when they are found in people's houses. He enjoys it. But what if he was to pick up a book himself and take it home?

From the first iconic line- "It was a pleasure to Burn"- onwards, this is a poetic and urgent plea against the dangers of ignorance, against the deliberate dumbing down of society.  I don't think this book has ever been more topical.

It's not a perfect novel. The timeframe seems a little off.  No one remembers when firemen were the people that stopped houses from burning, yet one of the characters at least used to teach literature in his dim and distant past. The dialogue is not always convincing. Most people in the book will monologue in very similar voices.

However, despite these flaws this is an essential novel and one I've read probably a dozen times now and it gets more scary every time I read it.  It's the only constant fixture in the 10 to 15 books or so that form my top 3 of all time.

 I find Bradbury's prose to be magical.  he's on top form in this book, and the writing manages that rare trick of combining beauty with a great story. The monologues that the characters come out with might all sound like the same voice, but they're telling us truths about the importance of literature.  He quite rightly points out that even with books, the evils of society exist, but points out that books and reading provide a level of protection that we can't afford to lose. 

There is power in his writing, and the mechanical house still haunts my nightmares as one of the most terrifying monsters ever committed to paper. The closing chapters manage to ratchet the tension to almost unbearable levels.

This is a book I believe everyone should read. So go out and read it. Or stay in and read it. But read it.

Spoiler

True story regarding this book

There was one day I was reading it, sitting in my 18th floor flat overlooking Manchester city centre.  I was close to the end, the section where the bombers fly over and release their payloads. Bradbury describes the collapse of the city. The next line of the book is "The sound of its death came after".  The second I read that line, there was an almighty bang, an explosion, and my windows rattled.  The first thought that went through my head was 'fuck me, this edition's got sound effects'.  I looked up and there was a plume of smoke rising over the city centre.  It was the day the IRA blew up Manchester and destroyed the Arndale centre.

Number 32- the Blunderer- Patricia Highsmith

 

Another reread from my teenage years. I wanted to be really clever and use the following plot description which you may recognise from my review for Wilt (indeed I would only have needed to change one letter. 

"Walt dreams of killing his overbearing wife.  When she goes away on an unscheduled trip, he fakes her death.  Unfortunately. she fails to return from said trip, and the police get involved."

Unfortunately, I picked the wrong Highsmith book.  The one where the lead character stages his wife's murder on the day she disappears for real is A Suspension of Mercy. So much for my mini themed read of the same storyline with vastly different treatment.

 

The Blunderer is a similar story of a man suspected of his wife's murder, but has a very different central plotline and no resemblance to the plot of Wilt in the slightest.

The book opens with a surprisingly brutal murder by Highsmith's standards, where a man follows the Greyhound bus his wife is riding, drags her off into the nearby bushes and beats her to death. 

Walt is going through marriage difficulties. They no longer love each other.  She has grown paranoid and suicidal. He has ceased to care about her. when he reads in the papers about the murder from the opening chapter, he follows the bus his wife was on with dreams of committing a copycat crime.  He's seen by several people at the rest stop, and drives home again. When his wife's battered body is found at the bottom of the cliff nearby, his lies to the police about his actions that night throw serious doubt on his innocence. When he crosses paths with the murderer from the book's opening, things get progressively worse.

One of the reviews on my copy of this book says "Highsmith writes about men like a spider writing about flies" and I can't think of a better description.

If you like characters who plan carefully and don't make mistakes, this is not the book for you.  The title should be a clue. Walt makes mistake after mistake.  He digs himself deeper and deeper into a world of pain. It's almost impossible to keep sympathy with him, but his story is compelling. The brutal cop chasing after both Walt and the murderer from the first chapter is more of a villain than the murderer. 

This is a chilling psychological thriller and one of my favourite of her books.  

Despite my mistaking the storyline, I'm really happy to have reread this one even if I didn't mean to. Her books are always densely written, full of psychological depth, and totally captivating.  Her word choice is always spot on.  The fraying of their relationship in the first few chapters is superbly and subtly portrayed. 

A masterclass in putting the reader directly in the heads of a cast of characters.  It's a train crash in slow motion almost.  As bad as things get, we're compelled to read on to see if it can possibly improve, or is the light at the end of the tunnel just a freight train about to mow everyone into bloody pulp on the tracks?

Number 31- Wilt- Tom Sharpe

 

A reread from my teenage years and I just have to say I was far too young when I first read this book.  

I remember thinking it was hysterically funny when I first read it, and that opinion has not changed on revisiting it 35 plus years later. 

Wilt dreams of killing his overbearing wife.  When she goes away on an unscheduled trip, he fakes her death.  Unfortunately. she fails to return from said trip, and the police get involved.

This is absolutely the funniest thing I've read in several years.  there were scenes I still remember from all those years ago. From the initial burial of the rubber sex doll to its eventual recovery, this is farce at its best.

Sharpe is/was a great writer and even a character as weak and worn down by life as Wilt is initially is eminently relatable. HIs journey of self discovery through the multiple indignities he's exposed to in the course of the story is a joy to read.

The side story of where his wife actually is- stuck on a barge in the Norfolk broads with an insane American lesbian and husband- is equally funny and leads to some of the funniest scenes in the book. 

Eva Wilt is a force of nature. Her character defies description. We can completely sympathise with Henry's dreams of ridding himself of her, but we still can understand how and why they're married.

It's always strange reading a book written and set in the early 80s.  When a restaurant is criticised by one of the charaters as being too expensive because they charge £0.95 for a prawn cocktail starter, it's now a culture shock.  When Wilt's salary of £3500 a year is enough for he and Eva to own their own rather large home in the suburbs and keep Eva in all her expensive hobbies, it really does drive home how much some things have changed.

Luckily, it's only the money talk that truly dates this book. Some people might say that some of the humour might not be considered de rigeur these days, but for the most part this has aged well and even the bits that some people would say haven't are still hysterical IMHO. 

This is a pitch perfect blend of satire (the internal workings of the college where Wilt teaches are brilliantly done) and bawdy farce. There is some complete filth in here (not explicit, but still filth) that I was far too young to be reading in the 80s, That makes me love it all the more that parents let me read this stuff.  As much as Terry Pratchett and Douglas Adams helped formulate my sense of humour, Tom Sharpe definitely deserves a look in as another influence.

Number 30- the Buck Stops Here- Sean Seebach

 

This is the remaining book in the themed series started by Alan Baxter with the Roo.

This was the second one written, but due to the fact that they're all standalone novels and it doesn't matter what sequence they're read in, it's the final one I've bought and read.

It's probably not a surprise to learn that this one is about killer deer. Not just that, but killer Were-deers.  

When people start dying horribly in the town of Rockbridge, Sheriff Abigail Laine finds her peaceful life disturbed.  Normally she just has a couple of traffic tickets to write up in a typical week. Maybe dealing with the town drunk, nothing more.  Now she has an escalating number of bodies to investigate. And she knows the killer isn't fully human or animal.

This is a great fun read.  I loved the mention of the book that started this whole series when one of the characters is seen reading the Roo and Alan Baxter gets a big shout out.

The characters are fun and relatable. there are just the right number of Shreddies (tm) in the story and the deaths are suitable gory.

It manages the balance of keeping the plot silly enough to be funny but serious enough to actually build tension in the confrontations in the second half of the book.

This is the best of this mini series after the Roo.  It's a quick read with some not overdone social commentary built in. It's no contender for book of the year but if you want a simple fun book with zero pretentions, it's recommended. It does what it says on the tin and lives up to that cover.

Number 29- This House isn't Haunted but We Are- Stephen Howard

 

This was an impulse buy on the basis of that title, and the fact that it's very short.  Indeed I did finish it in just a couple of hours.

Simon and Priya have just moved to a dilapidated cottage on the North Yorkshire moors to try to renovate the house and their marriage.  Their young daughter has recently died in a tragic accident and their relationship is suffering as a result.

The third character in the book is the House itself. All three characters take turns narrating chapters.

This is a very clever take on the classic haunted house story. The chapters narrated by the House are told in an unusually effective second person POV. Simon and Priya sound different enough in their narrations that I have no complaints on that score.

My only quibble about this book is that the ending feels very rushed. Up until that point it was a well written and creepy tale of a couple dealing with extreme loss and the house that tries to fix them.  I would happily have read much more of this story if it existed.

There are shades of ghost story and cosmic horror in this small tale of personal grief and the need to be wanted. I will be keeping an eye out for more by Stephen Howard.  He is a talent to keep a sharp eye on.

Numbers 27 & 28- Sweet Tooth Books 2 & 3- Jeff Lemire

 

I'm playing a  bit of catch up here since I finished these about 2 weeks ago,

I read book one of this series late last year. This is one of several Jeff Lemire post apocalypse worlds and probably his most famous because of the Netflix series.

The basic set up is that hybrid children started being born, and at the same time a plague started wiping out regular fully human humanity.

We are following Gus- aka Sweet Tooth- who is part boy part deer.  In the first book, his father died of the Sick and he left his sheltered cabin in the woods. There he met and travelled with the Big Man who committed an act of complete betrayal.

Book 2 picks up immediately afterwards and delves into the Big Man's past, and the impact of the betrayal on poor Gus. We're also introduced to a brand new set of villains.

Book 3 becomes an emotional roller coaster as characters we've grown to love start leaving in distinctly unpleasant ways. We also learn more about the source of the issues facing the planet, and the scene is set for a final showdown.

I'm not ashamed to say that I was wiping tears away at the end of this series, something no graphic novel series has succeeded in doing to me since Locke and Key. This has a pitch perfect ending, bittersweet, and full of hope.  It also seems to negate any possible sequel, but I see that there is another book out called Sweet tooth The return... which I have of course ordered.

I'm still not 100% convinced by the artwork.  There are some amazingly well thought out tricks with layout etc and some undeniably beautiful pages, but Lemire's art is not as good for me as his writing. it's frequently quite ugly, which weirdly suits the story so what am I talking about? 

The first section of book three has a guest artist, for reasons explained in the afterword. It's probably some of the best art in the entire saga. 

I'm not sure if this has knocked Gideon Falls off the top of my list of best Lemire series, but it's close. the section in the Dam is brilliantly plotted. If I was to be exceptionally picky, I'd say that maybe the ending is quite similar to at least one of his other series. But this did come first, so I can't criticise its use in this case.

If you want an emotional rollercoaster, this is the series to read.

Number 26- Grendel- John Gardner

 

There are three principle reasons I chose this book- 1- that gorgeous cover, 2- the Marillion song, and 3- my cat is called Grendel. Not necessarily in that order of importance.

This book is actually the basis for the 17 minute long epic track by Marillion. If you've never heard it, I recommend it, I loved it enough to name my cat after it- my previous cat was called Balrog so I was pretty much continuing a theme. 

Grendel is the story of Beowulf told from the point of view of the monster. If you're not familiar with that, Beowulf is one of the oldest surviving written stories, an epic tale of Viking warriors getting torn to shreds by a vicious monster known as Grendel.

There's no attempt to make Grendel the hero of this story.  He is still a monster who kills for the sake of it. But the first person narration is almost enough to put me on his side.

He's a great literary creation. One of the oldest written monsters given depth and character at long last. I did find myself googling some of the human characters to see if they were invented for this book, but did all seem to be from the original story of Beowulf, although not painted quite so bravely.

It's all quite densely written and despite its brevity, still took me several days to get through.  But that's not a bad sign. it just means there's a lot to savour here. Gardner was one hell of a talent. This is poetic, brutal and quite beautiful in a weird ugly way.

If you're willing to put in the effort, this is a massively rewarding read. Highly recommended.

Number 25- Cosmic detective- Lemire & Kindt

 

This is possibly the most psychadelic thing I've read from Jeff Lemire so far, perfectly set off by Matt Kindt's basically insane artwork.

When a God is murdered, our detective who I only realised in hindsight when glancing through the book for this review, is never named, is on the case. He follows a series of ever weirder leads into the final showdown to keep reality itself intact.

Lemire's imagination is in full flow in this bizarre and rather delightfully violent tale of creatures beyond our human understanding.

As usual with Lemire, we see the page layouts themselves used as part of the storytelling as much as the artwork and the script. 

It's one of the most original pieces of writing I've seen from Lemire. I love that the race of creatures is never named, a solid block overlaid across the name to censor it every time they're mentioned.  I love the little touches like that in a story big enough to take in interspecies romance, murder and the possible death of reality itself.

With full frontal nudity and some gruesome scenes, this probably isn't one for younger readers, but more mature readers should love it.

Number 24- Piranesi- Susanna Clarke

 

Many years ago, I read Jonathan Strange and Mr Norrell and really enjoyed it.  However, since then I haven't gotten around to any more of hers until a book group I'm in chose this.

This is a weird one- which is a good thing IMHO

Piranesi lives in a big house with cavernous rooms and hundreds maybe thousands of them.  The house is so big it has at least 4 tidal flows that fill the lower caverns completely at high tide. when they coincide, even the upper rooms are flooded.

He is one of only 15 people ever to live -as far as he knows.  Certainly he's one of only two people alive. Himself and the Other are the only inhabitants of this House. So who is it that's started leaving messages?

This and other questions form the central mystery of the House. Piranesi finds his sense of reality fracturing. The House that provides so much and is so good to him becomes a strange and troubling place.

I struggled a little with this book to start with.  the prose is quite dry, and nothing much happens in the first fifty something pages except for Clarke building up the strange world of the House through Piranesi's diaries.

However, the story reaches a point where things start happening, Piranesi starts to question what the Other is telling him, and suddenly the tension starts to build. From that point on, I was pretty much hooked. There was no way I was going to not finish.

This book is an object lesson on how to tell the reader more than the narrator knows simply through what's left out of the narrative. The answers to the mystery are probably quite obvious to the savvy reader.  I guessed most of the plot turns well in advance but I think that's probably intentional on Clarke's part. The cast list is too small to give any real surprises or plot twists. The pleasure lies in the gradual lifting of the veils from Piranesi's eyes. When will he work out for himself what the motivation of the Other and the mysterious figure are?

Once the tension began the book shifts to a new gear and became quite compulsive for me. 

It's not a perfect book, but I thought it was very good indeed. I kind of want to find my own way to the House.  it sounds like a nice break from reality.

Number 23- Small Things Like These- Claire Keegan

Christmas week 1985, in a small town in Ireland, timber merchant Bill Furlong is facing his busiest week of the year. When he visits the local nunnery/laundry to make a delivery, he finds a girl in need of help.  What is he going to do?

This is an intense and multi layered story which tells a much bigger story than the 114 pages would suggest at first glance.

Keegan manages to build the whole town and the community in minimalist yet extremely effective prose. We understand the hold the nunnery has over the town and the impact that crossing them might have.

Some prior knowledge of the Magdelen laundries is necessary to fully comprehend the story, but there is an afterword to explain for those who have not heard of this particular stain on the history of the Church.

Keegan has crafted  a remarkable short novel here that stays with the reader after finishing it. Well recommended.

number 22- Snow Angels Vol 2- Lemire & Jock

 

The mysteries posed in volume 1 find themselves mostly answered in this second volume. The origin of the Trench, and the history of the residents are explained more than satisfactorily.

An excellent ending to the series.  The artwork is excellent as is the writing. 

Go out and beg borrow or steal it.

Maybe don't steal it. But if you do, and you get caught, don't tell them I told you to.

Number 21- A Boy and his Dog at the End of the World- C A Fletcher

A couple of years back, I read Dead Water by CA Fletcher, found it appropriately creepy so I went out and bought this.  To be honest, I would have been tempted to pick this up on the strength of that title if I'd seen it before knowing anything about his writing. 

Apparently he also writes as Charlie Fletcher, so I have a few more books to seek out for my ever expanding TBR mountain.

This is every bit as good as the title promises.  

100 years after humanity has all but died out after something happened to make 99.999% of the population infertile, the last few settlements of humans are scattered far and wide.

There are a couple of families on the Scottish Isles.  When a smooth talking thief visits our narrator Griz's family on their island, it sets off a chain of events.  The stranger leaves early in the morning, taking Griz's dog Jess with him.  Griz sets off on a journey across a deserted Britain to get her back.

This is my second real contender for best book of the year so far. Griz makes for a remarkable narrator. I was thoroughly invested in the quest to retrieve poor Jess. I'm a cat person not a dog person, but this book made me feel for that dog as strongly as Griz did.

Fletcher's depiction of a landscape abandoned for decades and reclaimed by nature is stunning.  The pacing and characterisation are spot on.  I'd worked out one of the surprises near the end of the book at least 100 pages early, but there was at least one other that took me completely unawares.

I can't really say much else in case of spoilers.  This is a beautifully written book that pushed all the right buttons for me and I recommend it unreservedly.

Number 20- Our Wives Under the Sea- Julia Armfield

 

A new author to me, and another book group choice.

Sorry, there will be quite a big spoiler in this review so if you want to read the book before coming back and reading this review, feel free, but I don't recommend it.

Miri's wife Leah is an underseas researcher. Leah was stuck at the bottom of the ocean for months when her vessel developed a fault.  Now she's back and behaving very strangely.

The book is told in alternating chapters from each of the two lead's POV. This leads to the first of the big problems with this book.  Both first person narratives sound exactly the same. If it wasn't for the chapter titles telling us who was talking, on the occasional pages where either Miri doesn't talk about Leah or Leah doesn't mention the sea, it is impossible to tell the narration apart.

It should be more than subject matter that separates the voices of your characters when writing multiple POV.

The writing feels nice.  I'm not sure there's anything objectively wrong with the prose (other than the aforementioned uniformity of voice across multiple first person POV). SPOILER!!!! The story has a really interesting concept.  There's submarine drama, there's body horror, there's a woman metapmorphosing into a fish. I'm not sure how any writer could take the ideas on display here, and with nice prose, write a book as tedious and uninteresting as this was.  But Julia Armfield has managed it.

There are ways of making your story ambiguous and mysterious and not answering the audience questions that work, that fill the reader with a sense of wonder and mystery.  There are ways of making your story ambiguous and mysterious and not answering the audience questions that feel pretentious and lazy and like you don't know the answers yourself but you thought you'd write it anyway. This book feels like the latter to me.

More spoilers

The fact that the submarine crew do nothing at all to help their situation makes their story anticlimactic. The fact that they try nothing in their time at the bottom of the sea makes their story lack drama. Their eventual escape feels like the writer just trying for that lazy air of mystery by not explaining why it happens. 

When I read the Deep by Nick Cutter at the end of last year, there was a palpable sense of claustrophobia in the deep sea setting.  There was a sense of awe at the surroundings. In this, there's three not exactly fleshed out characters who occasionally get on each other's nerves in the dark. then one snaps and does something silly. There's really no comparison between the two books for dramatic stakes.

This was sold in the horror section of at least one local Waterstones.  Even by my wide ranging definitions of horror, this one was mis-shelved.

A book this short should not feel as long as this did. Just as an example of how enthused I was to continue reading this book, how much the storytelling had me hooked, there was one night last week where I had a spare hour to sit reading, and I chose to clean the bathroom instead.

The whole book can be summed up by the last sentence on page 203.  "For a long time, nothing happened."

Not recommended.