Number 9- Number 9 Dream- David Mitchell

 

It was complete coincidence that this was the 9th book I read this year, but I do think I might finally pick up Catch 22 in 13 more books time. It seems like a fun little mini theme to run through the year.

Eiji is a 19 year old man looking for his father in Tokyo. His problem is that he has no idea who his father is. This leads him into a series of weird and wonderful encounters with a whole variety of Tokyo life, including getting involved in what may be a horrifically violent feud between rival Yakuza gangs, or possibly his overactive imagination.

Rarely has the "is it real or not" card been played quite this skillfully. 

The opening chapter is very weird indeed and put a few people in the book group I read this for to give up very early on.  However, the style does settle down rapidly and Eiji becomes a sympathetic and relatable narrator.

Each chapter is written in a different style to all the others. The linking theme in the way they're written is that they jump around a lot. They mostly start halfway through or at the end of the narrative for that chapter and intercut the end or middle with the continuing narrative. One chapter (which was also contentious in the book group) has extremely surreal extracts from a book Eiji is reading intercut with his own story with no explanation as to what's happening until late in the chapter.  

This is a book where you have to place your trust in the author to explain what the bleeding hell is happening now on a regular basis.

Mitchell's prose is beautiful throughout.  I found it by turns deeply sad and laugh out loud funny. This is a real rollercoaster of a book, almost impossible to second guess. I'm not sure if it's my favourite of his books so far, but it's definitely in the top 3.

Number 8 - Monumental- Adam Nevill

 

This was one of my most anticipated books of 2026 and it didn't disappoint.  I'm using the picture from the back cover here.  Everyone is posting the feathered creature pictured on the front, but I think this lovely looking guy needs some love too.

A group of kayakers in Devon make the mistake of tackling a trip up a private valley off the coast, they find themselves facing the worst day of their lives. The valley is home to creatures rising from the depths of time. Creatures that time wanted to forget. Creatures that should never have seen the daylight again.

Over the next twelve hours the six of them will face dangers that they could never have dreamed about.

As ever, Adam's prose is rich and atmospheric. The monsters he describes are truly the stuff of nightmare. This may well be his most brutal book to date. 

What sets this apart from so many similar stories is that none of the characters are even remotely capable of dealing with the situation they find themselves in. These are everymen.  They don't come ready equipped with the fighting prowess of a superhero. Whether any of them can or will survive the challenges about to befall them is not even certain with only two pages to go till the end. And if they do survive, to borrow an old move tagline, what will be left of them?

The characters are not the most likeable bunch, but they don't deserve what's happening. Likeability in a character is overrated imho.  I much prefer interesting people, and that's what Adam gives us here. They all have their flaws. This is a dysfunctional group of almost friends. The friction between them is well portrayed and mostly adds to the tension building around them. 

Apart from one "Why are you trying to do this now?" incident involving personal issues between two of the characters (which was dealt with fairly rapidly to be fair), this is an almost flawless horror novel. From the moment the scream rings out across the valley in the first chapter, the horrors barely let up. 

I think Adam Nevill is one of the few writers who has never written a bad book.  And this is one of his strongest. I especially like how he has managed to tie in several of his other folk horror novels with this book, creating a shared universe that I am so so glad I don't have to live in.

As ever, I recommend this to anyone who likes a densely atmospheric slice of pure horror.

Number 7- The Rise- Alan Baxter

 

This is my second Baxter review in a couple of weeks, but this one has slightly more point to it since there are more than 24 copies in the wild.  This is due for a mainstream release on Friday 13th of this month. 

There are several scary towns out there in fiction, places where the top horror writers will set their tales. King has Derry and Castle Rock. Charlie Grant had Oxrun Station, Josh Malerman has Goblin. And Alan Baxter has Gulpepper, aka the Gulp as it has a habit of swallowing people.

This is the third set of novellas set in the town and there's no noticeable dip in quality yet. The previous volumes are The Gulp and The Fall. After the Fall, we can only have the Rise.

Now that a real continuity seems to be building, this one isn't quite as self contained as the other two volumes, but not so much that a brand new reader would struggle. (Although they would have a lot of spoilers for the previous books).

Strange Leaves- the first story- this follows a pair of dope dealers who've just accidentally killed their supplier and the repercussions. The title takes on multiple meanings in the course of the story which is always good. A solid start to the collection.

Sunlight on Clear Water- this is my favourite story in the collection and introduces possibly the most nightmarish creature so far in the Gulp mythos. When a young man, new to the Gulp, goes for a bit of free swimming with his beautiful new girlfriend, he finds himself in the middle of a web of deceit. It transpires that her family have been in the Gulp a very long time and are far from the normal people he thinks.

This is easily the scariest entry of the book.

Vitulinum- This is another solid entry.  A teenage boy from an abusive family finds himself faced with an impossible choice at the hands of a longstanding villainous presence around the Gulp.

The Gulpepper Institute for Health and Wellbeing- This is my next favourite entry.  When global megastar Eevie takes a break at the new Institute in the town to relieve her stresses, she finds the brochure might have missed a few details. This is Gulpepper after all. Her stresses are about to do the complete opposite of fade. The tension that builds in this one is great. The masterful slow reveal of what's going on leads to a violent conclusion. 

The Rise- this is what all the linking factors in the last 4 have been building to. Things are about to hit cosmic proportions and Baxter handles this as well as he did the more personal pains in the other stories.

This is easily on a par with the previous two volumes and demonstrates yet again why Baxter is a name to watch on the scene.

He has a very easy style which is capable of portraying deeply intimate horrors or horror on a cosmic scale.  Poor Gulpepper- that place just can't seem to catch a break.  

Number 6- Glorious Exploits- Ferdia Lennon

 

This is the debut novel by half Libyan, half Irish writer Ferdia Lennon. It tells the story of two poor Greek unemployed potters in ancient Syracuse who decide to put on a performance of Medea and the new play by Euripedes  using the Athenian prisoners of war held in the local quarries.

The two potters Lampo and Gelon are a brilliant double act at the centre of this alternately rollicking, heartwarming, and tragic story of art versus reality.

The book is narrated by Lampo in a very modern style of speech. This did cause some consternation at the book group I read this for, but I loved it.  It simultaneously makes the point that people now are the same as people then, and solves the issue of learning ancient Greek to have to read the book.

Lampo is a common as muck potter, short on intelligence and permanently down on his luck. This is brilliantly portrayed through his narration. Even through the frequent coarseness of language, there are some great turns of phrase and he is frequently laugh out loud funny.

The side characters are maybe not all fleshed out as well as they could be, but that's the nature of  a first person narrative. We get to know the others as much as they wander into the narrator's path. We know who is important to Lampo, whether that's for material or emotional reasons.  

I loved the build up towards the big production, the progress and the pitfalls, and then the production itself is gloriously rendered.

Certain events were somewhat inevitable, in a book about Greek Tragedies, but still managed to take me by surprise. The epilogue is a lovely touch, reminding us that good did come out of the mad venture.

This is a definite contender for best book of the year. It's a glorious read.